Pasargadae is located in a high plain about 1900 meters above sea level, in a mountain fence. In the seventh lunar century, a mosque was built near the tomb of Cyrus the Great, in which palace stones were used and on the occasion of the 2500th anniversary of the Persian Empire in 1971, these stones were returned to their original places.
The residence palace undoubtedly shows the influence and role of Greek architecture. It seems that when Cyrus conquered Sard (a city in western Turkey today) in 545 BC, he was greatly influenced by the marble buildings of the Lady kings. Pasargadae plain is located in the northern part of Fars province and between the Zagros Mountains, 2 km north of Shiraz. The average height of the plain above sea level is 1850 meters, which covers an area of about 190 square kilometers.
According to archeological researches, the Pasargadae region dates back to the Middle Paleolithic period. But the most significant cultural period of Pasargadae plain is the Achaemenid period. According to the available evidence, the name Pasargadae is mentioned for the first time in the Achaemenid period, which in terms of a location refers to the plain that Cyrus the Great chose as his command center and built buildings and palaces there.
This valuable collection was registered on July 7, 2004, as the fifth work of Iran in the list of UNESCO heritage sites.
Builders of Pasargadae
From the evidence left by Pasargadae, it is clear that it was mostly considered to be made by Cyrus the Great. This theory is strengthened for several other reasons:
First; The tomb of Cyrus the Great, which he built, shows such a connection in terms of design and use of landscaping in the middle of the great garden of Pasargadae with the gate, private and bar palaces. It turns out that the designer is all the same and those palaces are the result of Cyrus the Great have been.
Second; The trilingual inscriptions of Elamite, Ancient Persian, and Akkadian on the rafters and gates of the three palaces indicate that they were associated with Cyrus.
Third; the type of architecture and especially the style of Pasargadae masonry shows a short history of Persepolis architecture that began from the beginning of the reign of Darius the Great.
Therefore, there can be no doubt that the buildings of Pasargadae began with Cyrus the Great.
Pasargadae Complex and Its most Important Parts
Architects and experts consider the Pasargadae complex to be the beginning of the evolution of Iranian architecture. This place marks the beginning of the glorious era of Achaemenid architecture. Pasargadae was the capital of the first empire that is different from the rest of the world and has created wonders. In the north, we see the Pasargadae Fortress or the famous Throne of Solomon. In the southern part of this campus is a tomb that is the eternal residence of Cyrus. This collection has several sections that include:
Tomb of Cyrus the Great
The tomb of Cyrus the Great is located in the southern part of the Pasargadae royal complex and is built in such a way that it can be seen from all directions in the Pasargadae plain. A very simple and at the same time beautiful building that the builders have built, including the stairs, with a height of 11 meters and an area of nearly 160 square meters.
In fact, the general structure of the tomb of Cyrus can be considered as consisting of two parts. The base of the tomb, which is the first part of the building, is a platform made of 6 steps and the second part of the tomb is a small room with a sloping roof on which the builders placed it above the first part.
All the outer parts of the tomb are built on seven floors and on top of each other, and probably the designer of the building has considered and implemented this type of design due to the sanctity of the number seven. The foundation stone of the tomb is white and yellowish limestone, which is likely to have been extracted from the Sivand mine, which is located 30 km from Pasargadae.
The chamber of the tomb is more than two meters high and has walls 1.5 meters thick. The stones carved in four rows, which are beautifully and carefully placed on top of each other, are two very heavy pieces of stone on the floor of the tomb, and the roof covering is also made of stone. A noteworthy point about the architecture of the tomb of Cyrus is that no mortar is used in the construction of the building.
This feature is also present in the architecture of Persepolis. However, experts believe that the use of metal fasteners, which are probably made of iron and lead, in connecting the stones to each other is one of the most important reasons for the remarkable strength of the tomb of Cyrus.
The tomb of Cyrus is the only building in Pasargadae that is described in Greek sources. One of the oldest descriptions of the tomb of Cyrus is that of Aristobulus, one of Alexander III of Macedon’s companions in his expedition to the Achaemenid Empire, recorded by Arian in Alexander’s Anabasis. According to evidence, during the reign of Cambyses, the Magi, who were in charge of maintaining the tomb of Cyrus the Great, received a quota of one sheep and a certain amount of wine and food per day and one horse per month to sacrifice to Cyrus the Great.
In the Islamic period, the exact function of the building was not known to people, and on the other hand, people considered the construction of magnificent stone buildings beyond the power of humanity and the construction of the tomb of Cyrus to Solomon, who according to Islamic beliefs, served the giants for difficult tasks. For this reason, the tomb of Cyrus the Great was also considered as one of the buildings of Suleiman and was attributed to his mother and was called “Mashhad of Suleiman the Mother”.
Public Palace or Cyrus Reception Palace
The area of this palace is 2472 square meters, which was built on the northwest-southeast axis. The palace consists of a large central hall with eight columns, which is 705 square meters. Four porches on the four sides of the palace with smaller columns and two rooms form the other main parts of the building. The height of the palace hall was a few meters higher than the ceiling of the surrounding porches.
Of the eight columns of this hall, only one of its columns is standing, and the current height of this column reaches 13.10 meters.
The underside of the columns and the tops of the columns of the central hall are made of black stone and the cuttings of the columns are made of white stone. The other pillars of the hall were moved to Atabakan to build a mosque around the tomb of Cyrus, which has now been returned to its original location. The central hall is connected to the four porches of the palace from four doors.
The doors and columns of the porches were made of black stone. The north-western gate is connected to the 16-column north-west porch with the role of an eagle and a human foot, and the northeast gate is connected to the largest porch of the palace, which had 48 columns. The southwest door leads to a 28-column porch with human and animal footprints.
These portraits seem to have been inspired by Assyrian and other nations, but the Iranians gave them meanings commensurate with their beliefs.
There are two large rooms on either side of this porch. In one part of the palace, you will see inscriptions on which in three languages Persian, Elamite, and Babylonian a text is written which in modern language reads “I am Cyrus the Achaemenid king.”
Tomb of Cambyses (Suleiman Prison)
The tomb of Cambyses II, the conqueror of Egypt, is one of the most beautiful buildings in the Pasargadae complex, which dates back to the beginning of the Achaemenid period. It is a quadrangular and tower-like building, of which only one wall now remains, and is located in the path of private and public palaces. The height of the tower is about 14 meters and its base is 23.7 x 27.7 meters, which is located on a three-step height.
From the architectural and artistic point of view, this building is considered one of the masterpieces of Achaemenid engineers and artists. The stone blocks are stacked in such a way that in some ridges it is difficult to distinguish the two blocks. The stones used in the construction of the building are white marble facade stones that were brought from Sivand mine.
The tomb of Cambyses, now known as a fire temple from the time of Cyrus the Great, is a unique work that has been inscribed on the World Heritage List as a prison building. This building was known as Suleiman Prison during the Islamic period.
Winged Man Lithography
The beautiful lithograph of the winged man in Pasargadae, which shows the interconnectedness of thought and art, shows a man with a thick beard, a long robe, and a crown. This lithograph has four wings facing the center of the palace. The decorative and artistic elements of the lithograph are very beautiful, impressive, and meaningful.
Above the petroglyph of the winged man is a beautiful crown with a wild ram on its long, twisted branches, while two cobras are placed one behind the other, each holding a ball symbolizing the sun. Three bouquets of reeds form the main part of the crown, each with a sphere of the sun above it and surrounded by ostrich feathers. The ends of these three bouquets are covered by three large spheres of the sun.
The wings have been shown solely to give a sense of proportion while two wings are extended towards the sky and two wings are extended towards the ground. The man’s body is covered with a long, fringed robe adorned with roses. The arms are one forward and the other along the wing upwards, while the legs are bare.
The image of the winged man is engraved from the profile and faces left, inwards and towards the center of the hall. In addition to the face, the body and legs of this man are also to the right. It was as if he was facing the hall. The left hand of the relief is almost hidden behind the body, but the right hand rises in front of the chest, and the fingers of the hand are wide open, showing a posture similar to “hello” or “prayer”.
In the formation of this conceptual lithograph, the art and culture of different nations have been used. For example, the crown of a winged man is inspired by the land of Egypt. This crown is designed in three floors, which some experts have considered as a concept of the trinity of Zoroastrian culture (good speech, good deeds, and good thoughts). Men’s long dress is one of the long dresses of Elam and the wings of lithograph are rooted in Assyrian culture.
The use of the art of different nations in this lithograph is taken from the lofty ideas of Cyrus in the exchange of cultures. In fact, each part represents the presence of representatives of different nations, created with the idea of equality of human beings of any color, race, and language.
It is clear from its name that this palace belonged to Cyrus the Great and was the residence of the king. The palace has a large hall with east and west porches, which are the main entrances. Also, according to the old architecture, it has two side entrances. The private palace is located in the north of Pasargadae Park, which represents the residential part of the Achaemenid palace.
Pasargadae Shiraz, the place where the tomb of Cyrus the Great is located, is one of the oldest places in Iran where every person who steps in realizes its infinite wonders. Also, its reputation has gone out of the border of Iran. Although unfortunately, many parts of it have been ruined or destroyed, it still retains its glory. Many tourists have Pasargadae and Persepolis at the top of their list of places to visit in Iran. To visit Pasargadae, you can easily choose one of To Iran Tour’s packages below, or just simply tell us your interests by filling out the form and tailor-make your own travel to Iran.